Are You There? Part 2
It's so interesting to observe how "safe" arts and entertainment feel overall right now. Anyone else have any thoughts on this?
Boundary: I will not debate either cancel culture as a concept or the ethics of AIs with you.
But it's so interesting to observe. I'd love to create a followup video piece to our "Are You There?" short we did last year that explores arts and entertainment as an especially self-soothing mechanism of familiarity right now. Even a lot of the AI cyberpunky stuff that's getting generated has this very fantasy, dreamlike quality. Nostalgia is getting recycled at a breakneck pace.
And a lot of the "experimental" stuff out there, at least in my entertainment-based town, is specifically rehashing a lot of the same very fem-leaning stuff. How are fems subverting or playing with or conforming to tropes and expectations? How are historically marginalized people reinserting themselves into utterly Disneyfied, conventional narratives? I've been kind of riffing on this for the past few days to find a way through.
And note, I'm only very lightly judging this, mostly because I know who I am and who MMIX also is as an artist/artists, and we are all of not-that. Even my queerness doesn't conform to a lot of expectations and hasn't, really.
I'd love to make an appearance on a podcast or two or maybe even briefly on a streaming docu or show. In 2019 I tried to pitch to people to be on their podcasts and they were just like "who the fuck are you and why should we care?" and I'm not entirely sure that much has shifted since then, but what I will say is since then I/Rust and I have had almost 3 and a half years of making our own art in our own style--with no major obligations to represent cultures like my practice of sharqi/oryantal used to have and very much uniquely our own, as much as anything is unique these days.
So just putting it out there. It's hovering me, and us, at the edge of something very precarious and heartbreak-feeling, and I'm not sure what's next.
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